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NEW QUESTION: 1
In the Fusioninsight HD system, if one of the loader points in the cluster is abnormal, and other services are not abnormal, the normal use of the loader function will not be affected.
A. False
B. is correct
Answer: B

NEW QUESTION: 2
企業は、保護された健康情報（PHI）を異なるAWSアカウントの数千のサービスコンシューマーに送信するアプリケーションを作成したいと考えています。アプリケーションサーバーはプライベートVPCサブネットに配置されます。アプリケーションのルーティングはフォールトトレラントでなければなりません。
これらの要件を満たすために何をすべきですか？
A. VPCエンドポイントサービスを作成し、特定のサービスコンシューマーにアクセス許可を付与して接続を作成します。
B. サービスプロバイダーVPCにプロキシサーバーを作成して、サービスコンシューマーからアプリケーションサーバーにリクエストをルーティングします。
C. サービスプロバイダーVPCとサービスコンシューマーVPCの各ペア間に仮想プライベートゲートウェイ接続を作成します。
D. サービスプロバイダーVPCに内部Application Load Balancerを作成し、アプリケーションサーバーをその背後に配置します。
Answer: A
Explanation:
Explanation
https://docs.aws.amazon.com/vpc/latest/userguide/endpoint-service.html
"You can create your own application in your VPC and configure it as an AWS PrivateLink-powered service (referred to as an endpoint service). Other AWS principals can create a connection from their VPC to your endpoint service using an interface VPC endpoint. You are the service provider, and the AWS principals that create connections to your service are service consumers."

NEW QUESTION: 3
Why Is the Man Screaming?
Edvard Munch's 1893 painting "The Scream" is a powerful work of art that has true aesthetic value. In its raw depiction of the unavoidable human emotions of alienation, anxiety and fear, "The Scream" invites meaningful introspection as the viewer internalizes its message of the vulnerability of the human psyche.
"The Scream" is a very dynamic and yet frightening painting. The blood-red sky and eerie water/air seem to be moving and twirling, even enveloping the screaming man's mind as he stands on a bridge completely disregarded by passers-by who do not share in his horror. Viewers of the painting cannot help but ask:
Why is the man screaming? And why is he alone in is scream? What is he afraid of? Or, what has he realized or seen that is making him scream?
Why aren't the others as affected as he? The threat must be internal, yet the brushstrokes, colors and perspective seem to indicate that the horror is also bound to something in nature, something outside of the man. In any case, the agony and alienation are inescapable. Something horrible has happened or been realized by the man who cannot contain his horror, but has not affected the others on the bridge.
That the people in the background are calm and do not share this horror conveys a truth regarding the ownership of our own feelings. We are often alone in our feelings, as can be especially noticed when we are in pain. The horror is the man's own; he must carry it himself. In this expressionist piece, the black, red, and orange colors are both bold and dark, illuminating and haunting at the same time. Remarkably, the light from the blood-reds and vibrant oranges in the distant sky seem to be somewhat detached from the figure in the forefront, failing to reach his persona, suggesting that there is little to illuminate his (and the viewer's) fears. The man's face is nondescript; in fact, it almost looks more like a skull than a living man's face, hollow with two simple dots to indicate the nostrils, no hair, no wrinkles of the skin. This could be any man or woman, left to deal with his or her own horrors.
Based on the review, we can infer that Munch left the face of the screamer "nondescript" because
A. he couldn't decide how to make the person look.
B. he wanted the person to look childlike and innocent.
C. he wanted to show that we are all the screamer.
D. he did not like to paint detailed portraits of people, especially their faces.
E. he wanted the hollow face to contrast with the swirling sky.
Answer: C
Explanation:
Explanation/Reference:
Explanation:
The last sentence states, "This could be any man or woman, left to deal with his or her own horrors," suggesting that the reason the face is nondescript is to enable us all to identify with the screamer. There is no evidence that Munsch did not like to paint faces (choice b) or that he couldn't decide how to make the person look (choice c). He may have wanted the person to look innocent (choice d) or to have the face contrast with the sky (choice e), but there is no suggestion of this in the review.